 |
 |
Open letter responses to Stevie's open letter about DRM
|
 |
|
 |
|
Professional Poster
Join Date: Aug 2006
Location: The decaying ruins of Old New York
Status:
Offline
|
|
|
|
|
|
| |
|
|
|
 |
|
 |
|
Addicted to MacNN
Join Date: Aug 2001
Location: North Hollywood, CA
Status:
Offline
|
|
Open letters to someone's open letter is about as useless as online petition
|
|
|
| |
|
|
|
 |
|
 |
|
Mac Elite
Join Date: May 2001
Location: Utah
Status:
Offline
|
|
I like Michael Robertson's letter; it's a "put up or shut up" right back at Steve.
The SanDisk one is just marketing blah.
|
|
|
| |
|
|
|
 |
|
 |
|
Professional Poster
Join Date: Aug 2006
Location: The decaying ruins of Old New York
Status:
Offline
|
|
Originally Posted by ink
I like Michael Robertson's letter; it's a "put up or shut up" right back at Steve.
The SanDisk one is just marketing blah.
Agreed.
Although, Stevie's letter was most definitely a very calculated PR move.
|
|
|
| |
|
|
|
 |
|
 |
|
Posting Junkie
Join Date: Feb 2000
Location: Washington, DC
Status:
Offline
|
|
In my opinion, Steve's letter was a "pass the buck" move. He basically said that he would be happy to not have DRM if everyone agreed not to use it.
That's never going to happen.
I think the Microvision's letter was the most crazy.
Macrovision's Response to Steve Jobs' Open Letter
They are really drinking their own cool-aid over there!
|
|
|
| |
|
|
|
 |
|
 |
|
Addicted to MacNN
Join Date: Aug 2006
Location: The Annals of MacNN History
Status:
Offline
|
|
Similarly, consumers who want to consume content on only a single device can pay less than those who want to use it across all of their entertainment areas – vacation homes, cars, different devices and remotely.
Right, because when I get anything, I think to myself "I only want to use it here, and don't want to be able to change my mind ever."
|
|
|
| |
|
|
|
 |
|
 |
|
Professional Poster
Join Date: May 2001
Location: Hampton Roads, VA
Status:
Offline
|
|
|
|
All glory to the hypnotoad.
|
| |
|
|
|
 |
|
 |
|
Professional Poster
Join Date: Aug 2006
Location: The decaying ruins of Old New York
Status:
Offline
|
|
I just noticed on the Macrovision website that their tagline is "maximize the value of your content and software".
Because preventing me from making legitimate backups of my DVDs so totally maximizes the value of them. 
|
|
|
| |
|
|
|
 |
|
 |
|
Clinically Insane
Join Date: Oct 2001
Location: San Diego, CA, USA
Status:
Offline
|
|
Originally Posted by shifuimam
I just noticed on the Macrovision website that their tagline is "maximize the value of your content and software".
Because preventing me from making legitimate backups of my DVDs so totally maximizes the value of them.
You're missing the point. They don't consider the things you buy to be yours. They "you" they're addressing is the big corporations who use their products.
|
|
Chuck
___
"Instead of either 'multi-talented' or 'multitalented' use 'bisexual'."
|
| |
|
|
|
 |
|
 |
|
Professional Poster
Join Date: Aug 2006
Location: The decaying ruins of Old New York
Status:
Offline
|
|
Originally Posted by Chuckit
You're missing the point. They don't consider the things you buy to be yours. They "you" they're addressing is the big corporations who use their products.
Ahaha that makes a ton more sense.
That sure does maximize value - they can squeeze as much money as possible out of a single DVD by forcing you to buy another one, and another one...
Smart bastards. 
|
|
|
| |
|
|
|
 |
|
 |
|
Posting Junkie
Join Date: Oct 2005
Location: Houston, TX
Status:
Offline
|
|
Steve's open letter was just blowing smoke to try to distract the European consumer advocates. I don't know why it's being taken so seriously.
There are labels and artists who want their tracks sold on iTMS to be DRM-free, but Apple won't give them that option. Until Apple allows them to remove the DRM from their tracks, nothing Steve says about going DRM-free is worth the paper it's printed on.
|
|
|
| |
|
|
|
 |
|
 |
|
Mac Elite
Join Date: May 2001
Location: Utah
Status:
Offline
|
|
Originally Posted by mduell
Steve's open letter was just blowing smoke to try to distract the European consumer advocates. I don't know why it's being taken so seriously.
There are labels and artists who want their tracks sold on iTMS to be DRM-free, but Apple won't give them that option. Until Apple allows them to remove the DRM from their tracks, nothing Steve says about going DRM-free is worth the paper it's printed on.
Ummmm, yeah... that was one of the main points of Robertson's letter.
|
|
|
| |
|
|
|
 |
|
 |
|
Professional Poster
Join Date: May 2001
Status:
Offline
|
|
Originally Posted by mduell
Steve's open letter was just blowing smoke to try to distract the European consumer advocates. I don't know why it's being taken so seriously.
There are labels and artists who want their tracks sold on iTMS to be DRM-free, but Apple won't give them that option. Until Apple allows them to remove the DRM from their tracks, nothing Steve says about going DRM-free is worth the paper it's printed on.
I'm sorry, but I completely disagree with this view. One of the best things about the ITS in contrast with its competition is its overall consistency. $.99 per track (always). $9.99 per album (for the most part). Usage rights utterly and completely the same across the board. People in the industry routinely criticized other music stores for their usage rights that had "Download and play on 1 PC, but no CD burning" for track A, "Download and play on X PCs with up to Y CD burns" for track B, etc. Or the you can "squirt" this song but you can't "squirt" that one" with the Zune player. Imagine the user confusion and diminished user experience for the average consumer (the vast majority of whom don't even realize the ITS even has DRM because it's so seamless and by far the least draconian), not the technically savvy crowd here, when they run into the inevitable "I can copy this track to my Creative Zen or Sansa but I can't copy that one" problems. Furthermore, what percentage of tracks on the ITS do the Indie labels control that even could be offered DRM free? And is it large enough to warrant implementing a confusing dual-experience for the customer?
OAW
|
|
|
| |
|
|
|
 |
|
 |
|
Clinically Insane
Join Date: Oct 2001
Location: San Diego, CA, USA
Status:
Offline
|
|
Originally Posted by mduell
Steve's open letter was just blowing smoke to try to distract the European consumer advocates. I don't know why it's being taken so seriously.
There are labels and artists who want their tracks sold on iTMS to be DRM-free, but Apple won't give them that option. Until Apple allows them to remove the DRM from their tracks, nothing Steve says about going DRM-free is worth the paper it's printed on.
Those indie artists do not have the authority to nullify Apple's contracts with the major labels, and the iTunes Music Store is not going to go the Microsoft different-rights-for-every-song route.
|
|
Chuck
___
"Instead of either 'multi-talented' or 'multitalented' use 'bisexual'."
|
| |
|
|
|
 |
|
 |
|
Posting Junkie
Join Date: Oct 2005
Location: Houston, TX
Status:
Offline
|
|
Originally Posted by OAW
I'm sorry, but I completely disagree with this view. One of the best things about the ITS in contrast with its competition is its overall consistency. $.99 per track (always). $9.99 per album (for the most part). Usage rights utterly and completely the same across the board. People in the industry routinely criticized other music stores for their usage rights that had "Download and play on 1 PC, but no CD burning" for track A, "Download and play on X PCs with up to Y CD burns" for track B, etc. Or the you can "squirt" this song but you can't "squirt" that one" with the Zune player. Imagine the user confusion and diminished user experience for the average consumer (the vast majority of whom don't even realize the ITS even has DRM because it's so seamless and by far the least draconian), not the technically savvy crowd here, when they run into the inevitable "I can copy this track to my Creative Zen or Sansa but I can't copy that one" problems. Furthermore, what percentage of tracks on the ITS do the Indie labels control that even could be offered DRM free? And is it large enough to warrant implementing a confusing dual-experience for the customer?
Originally Posted by Chuckit
Those indie artists do not have the authority to nullify Apple's contracts with the major labels, and the iTunes Music Store is not going to go the Microsoft different-rights-for-every-song route.
Consumers certainly have noticed the pains of DRM, and they're not happy about it, but most of them are clueless enough to accept "that's just the way it is" when it comes to technology.
I'm not advocating the complex schemes that some other music stores have implemented with PlaysForSure, where the number of computers/burns/days varies by song. I'm advocating a simple "this song is unrestricted" vs "this song has DRM" system. Consumers already have this level of inconsistency when their music libraries are a mix of songs ripped from CDs and purchased from iTMS. Would you advocate adding DRM to all music ripped from CDs just to create a more consistent experience for the customer?
If a customer buys a CD from CDbaby and rips it or purchases the same track from iTunes, why should the rights for the resulting file in their library be different when the label/artist aren't requiring that they are?
|
|
|
| |
|
|
|
 |
|
 |
|
Clinically Insane
Join Date: Oct 2001
Location: San Diego, CA, USA
Status:
Offline
|
|
Originally Posted by mduell
I'm not advocating the complex schemes that some other music stores have implemented with PlaysForSure, where the number of computers/burns/days varies by song. I'm advocating a simple "this song is unrestricted" vs "this song has DRM" system. Consumers already have this level of inconsistency when their music libraries are a mix of songs ripped from CDs and purchased from iTMS. Would you advocate adding DRM to all music ripped from CDs just to create a more consistent experience for the customer?
That's hardly comparable. Steve himself even pointed out the difference between CDs and digital music. CDs have a variable pricing model, whereas iTunes Store songs are always 99 cents. The iTunes Store is consistent with itself and with the deal Apple has worked out with the recording industry. Would I like for iTunes Store songs not to have any DRM? Yes. Do I see fair logic behind them having DRM even when they don't have to? Yes.
I'd rather Apple push for a DRM-free distribution model than just go, "Oh well, you can buy this shitty music without DRM and take it up the ass for all the decent tunes," which seems to be the attitude most of the folks against Steve's essay are espousing.
|
|
Chuck
___
"Instead of either 'multi-talented' or 'multitalented' use 'bisexual'."
|
| |
|
|
|
 |
|
 |
|
Forum Regular
Join Date: Aug 1999
Location: The Capital of Silicon Valley
Status:
Offline
|
|
|
|
|
|
| |
|
|
|
 |
|
 |
|
Posting Junkie
Join Date: Mar 2001
Location: Salamanca, España
Status:
Offline
|
|
Originally Posted by mduell
Steve's open letter was just blowing smoke to try to distract the European consumer advocates. I don't know why it's being taken so seriously.
Quoted for posterity.
V
|
|
I could take Sean Connery in a fight... I could definitely take him.
|
| |
|
|
|
 |
|
 |
|
Posting Junkie
Join Date: Feb 2000
Location: Washington, DC
Status:
Offline
|
|
Originally Posted by ink
I like Michael Robertson's letter; it's a "put up or shut up" right back at Steve.
The SanDisk one is just marketing blah.
Looks like Steve "put up."
I'll be interested to hear the silence coming from Michael Robertson.
|
|
|
| |
|
|
|
 |
 |
|
 |
|
|
|
|
|

|
|
 |
Forum Rules
|
 |
 |
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
|
HTML code is Off
|
|
|
|
|
|
 |
 |
 |
 |
|
 |
|